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SCOTT
REISS
Brilliant
recorder playing Haunting
meltingly
beautiful Mind-boggling
WASHINGTON POST
Deliriously
hectic
a full play of recorder virtuosity
LOS ANGELES TIMES
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TINA
CHANCEY
Beautiful
in warmth, focus and expressivity, the pardessus sang
like a human voice in Chanceys sensitive hands.
CLEVELAND PLAIN DEALER
Chancey,
her every phrase beautifully shaped, stretched the musics
refined vocabulary to the limit: musicianship aside,
it was technically a virtuoso performance.
WASHINGTON POST
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Bios:
SCOTT
REISS, founder and Co-director of HESPERUS is one of the
worlds leading recorder players. At home in medieval,
Renaissance, and baroque styles, he also possesses a command
of Irish and Appalachian music and the blues. In addition
to the recorder, Mr. Reiss is known for his work on the hammered
dulcimer, Irish pennywhistle, and Arabic hand drums. He was
also a founding member and co-director of the Folger Consort
for 21 years. His articles on recorder technique, improvisation,
and traditional music have been published in Continuo, American
Recorder, and Early Music America in this country, and Tibia
in Germany. He also directs SoundCatcher, a series of workshops
teaching musicians the skills of playing by ear. With his
wife, Tina Chancey, he was the recent recipient of two-year
grant from Earthwatch to do ethnographic research on Irish
music. His most recent solo recording is The Banshees
Wail, with Dr. Chancey, Zan McLeod and Glen Velez.
TINA
CHANCEY, a founding member and Co-director of HESPERUS,
is also a former member of the Folger Consort, the Ensemble
for Early Music and the New York Renaissance Band. A multi-instrumentalist
specializing in early bowed strings from the rebec and vielle
to the kamenj, viol and lyra, she has received grants from
the National Endowment for the Arts to support solo performances
on the pardessus de viole at the Kennedy Center and Weil Recital
Hall at Carnegie Hall. She has performed with the National
Symphony, Brooklyn Philharmonia, with Victoria de los Angeles
at the Metropolitan Museum of Art, with Sephardic musician
Flory Jagoda, QUOG, an improvisational multi-media music theater
group, and the early music ensembles, the New York Consort
of Viols, Waverly Consort, Terra Nova Consort, Ex Umbris,
and La Rondinella. Dr. Chancey received her PhD in Musicology
from the Union Institute. Her articles on early music appear
in scholarly and popular publications, and she has recorded
for a score of labels from Arabesque to Windham Hill. She
directs Whats That Note, Inc., teaching
sight singing and ear training to amateur singers, and also
works as an independent recording producer.
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